Sunday 24th September

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Brian Charette

Brian Charette: Square One

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I was thrilled to get my hands on Brian Charette’s 2014 CD Square One. Having heard him play in ensemble at Jazz Club Soho earlier this year, he told me that he plays London too infrequently. His new recording is a treat for all Jazzers and a special offering for fans of Jazz organ. It may suffice until he returns to The Smoke.

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Category: Music
Tom Gamble at Jazz Club Soho, London.
Tom Gamble at Jazz Club Soho, London.

Tom Gamble: CD + London dates

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Classically-trained guitarist Tom Gamble recently played a solo set at the Poetry Cafe in Covent Garden, going down a storm with the assembled literary crowd at the Playerist Comedy Night. He’s soon to leave these shores to further his studies abroad so catch him while you can. Meanwhile, music lovers will be more than satisfied with Mr Gamble’s fantastic début Jazz CD Rooftop Music. Recently graduating with a First from Trinity Laban Conservatoire in Greenwich, the maestro leads the Tom Gamble Ensemble at the South Bank Centre on August 8. He then departs with fitting flourish as Director of the Quiet Nights Orchestra at a very special gig at the National Portrait Gallery on August 22.

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Category: Culture
Kenesha
Photograph by Martin Slidel

Kenesha EP Launch // Thursday July 10 // Alley Cat

I caught up with North London Roots singer Kenesha over lunch on a not-so-sunny Sunday though her very presence illuminated the afternoon. She spoke with infectious enthusiasm about her forthcoming EP, ahead of its launch at the world-famous Alley Cat venue in the heart of London’s music district. Her new and inspirational collection features pared-back acoustic interpretations of Bluesy yet contemporary balladry, as requested by fans.

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Category: Music
Marriage
Photograph by Tim Stubbs Hughes

Marriage @ Jack Studio Theatre

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Another capacity crowd at the Jack Studio Theatre welcomed a new run of Gogol’s ‘Marriage’. Loaded with wisecracks from the start, the story, such as it is (translator Howard Colyer compares it to ‘Waiting for Godot’) is a grower. Sunny Jeon’s graphic-y design, de-constructed, Surreal, opens-up the space. You almost feel inside the setting whilst simultaneously looking-on. Is the same dichotomy shared by the players?

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Category: Comedy
Tom Gamble
Tom Gamble

Playerist Comedy Night 2 // Poetry Café // Review

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A school night if not for half term, those in the know braved the dullest weather to arrive at a sparkling evening of comedy by Playerist Performance Collective at the Poetry Café.

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Category: Art
Melissa James
Photo credit: Mike Watts

Melissa James @ Green Note + CD Competition

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First up was Vincent Burke in a natural, warm and easy, performance. What else would you expect when singing about pianos falling down the stairs! Somewhat in the style of old-school balladeers such as Jake Thackray and Tom Lehrer; funny, wise, droll and just jaunty enough to get your feet tapping. Plus a lovely version of Smokey Robinson’s ‘You’ve Really Got a Hold on Me’ replete with new middle-eight. Burke is also a bit McCartney-ish, reinvented with a quirkier, folksier, edge. The punters demanded more.

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Category: Culture
Playerist
Graphic by Sofia Hagen

Playerist Comedy Night // Thursday May 29 // Poetry Café

Playerist returns for another Comedy Night at the much-loved Poetry Café in Betterton Street, in the heart of Covent Garden, kicking-off at 7.30pm on Thursday May 29. A widely diverse range of talent promises a memorable occasion, at the attractive door price of £3. Playerist supports writers, musicians and artists, and offers a unique showcase of billed acts comprising a varied programme. The events offer further opportunities for chatting and drinking (or networking if you like) and this time around the venue has guaranteed a well-stocked fridge…

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Category: Art
Sally Mortemore and Claire Louise Amias
Sally Mortemore and Claire Louise Amias

Women of Twilight @ Pleasance Theatre

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A fun night out ‘Women of Twilight’ is not. It is a truly great evening of theatre at a commendable (and welcoming) venue. If Sylvia Rayman’s play seems long-overlooked, in some ways it’s easy to understand why. The taboo of illegitimacy in post-war England seems not only reprehensible but through contemporary eyes is like visiting an alien land. Director Jonathan Rigby refers to “the continued relevance of the play…” as I imagine both at home and abroad, and considers that “maybe it’s appropriate to revive a play written during the early years of the Welfare State at a time when strenuous efforts are being made to dismantle it…” Rigby’s current production, at the roomy and comfortable Pleasance Theatre, is more than worth a revisit.

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Category: Culture