Saturday 27th February

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Wil Greenway: Either Side of Everything, Edinburgh preview

In the first of our Edinburgh Fringe previews, Ian Cater speaks to Wil Greenway – one of the most soul-stirring, poetic storytellers around – about his move towards comedy in new show Either Side of Everything.

The first time I saw Wil Greenway walk onstage, he looked very much your archetypal Australian hipster: bright shirted, bare footed, big of beard, all perched on a strong frame growing down from a top-knot.  He was only lacking a surfboard and a can of Fosters to complete the picture.

But book split from cover the second he opened his mouth and unravelled a softly spoken story full of heart, humour and small-town heroism.  The fluid in his eyes ebbed and flowed to the rhythm of his words: full of mischief during each well-worked metaphor; packed with pain when retreating to gather himself during folksy musical interludes from singer Kathryn Langshaw and guitarist Will Galloway.

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Category: Comedy
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Wil Greenway: These Trees the Autumn Leaves Alone review

Rating:

Ian Cater, Chief Features Writer

Greenway takes his audience on another visceral journey with his latest lyrical tale of courage and memory.

In our Edinburgh Fringe preview, we predicted that Wil Greenway would soon rise to the top of the comedy storytellers.  After the Australian’s performances this month, he’s surely close to achieving this goal and gaining the recognition he deserves.  As with previous show The Way The City Ate The Stars, These Trees the Autumn Leaves Alone tells an atmospheric and entertaining story set in South-East Australia.  Its facts may be less dramatic but, as Greenway’s fans have come to expect, the destination is less important than the journey.

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Category: Comedy
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Wil Greenway: The Way The City Ate The Stars review

Rating:

Ian Cater, Chief Features Writer

Greenway elevates the art of storytelling with this lyrical, moving, funny and compassionate tale of love and tragedy in South-East Australia.

Eleven months ago, I reviewed Sarah Kendall’s show, Shaken.  In hindsight, and having listened to more of her work since on Radio 4, she perhaps deserved more than three stars.  However, I stand by the assertion that for storytelling to work effectively live, “it needs a higher laughter-count, or a more vulnerable and relatable narrator.  Kendall’s very talented, but projects an Antipodean toughness from the moment she bounds onstage talking forcefully about dick drawings and bowel movements.  As a result, she finds it hard to generate much sympathy from an admittedly difficult crowd, necessary before embarking on a story that portrays her younger self so unfavourably.”

I restate this to contrast Kendall’s countryman, Wil Greenway, who last night delivered an equally challenging story at Soho Theatre with a different outcome.  When he entered the stage after a short introduction from his folksy, melodious backing musicians (Will Galloway and Kathryn Langshaw), I was ready for a similarly forthright, Kendall-esque approach, given the Melburnian’s solid frame, thick auburn beard and topknot.  But it quickly became clear that Greenway’s a gentler type of performer and someone who could end up going very far.

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Category: Comedy