Saturday 24th September

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Sarah Kendall: One-Seventeen review


Ian Cater, Chief Features Writer and Reviewer

Kendall’s journey through time and space leaves you laughing and moved in her most personal work to date.

The last time I saw Sarah Kendall perform live was at the 2016 Edinburgh Fringe, where she delivered Shaken – one of three powerful tales to formed her subsequent hit BBC Radio 4 Australian Trilogy series.  But while impressed by her engaging storytelling, I felt her brusqueness – exacerbated by the boisterous weekend Edinburgh crowd – lessened the impact of her message.

Two years on, that criticism can no longer be levelled.  Despite enduring a difficult time personally, Kendall’s become a much warmer performer, willing to share more personal material in new show One-Seventeen.

As with her previous work, One-Seventeen links the past with the present, but now there’s greater frankness when discussing the latter.  Kendall’s retained her no-nonsense delivery and caustic comedic tongue, but the more intimate moments – when she airs worries about motherhood and the fragility of life – draw the audience deeper into her narrative and help even the lower-brow punchlines to land (the best example being a playful twist to a story about a seemingly deluded grandmother).

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Category: Comedy