Saturday 24th September

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Mark Thomas 1 - PLEASE CREDIT Jane Hobson

Mark Thomas: “I’m obsessed with how you break out of that individualistic stand-up model and involve people.”

Mark Thomas has returned to London with A Show That Gambles on the Future, exploring people’s hopes and fears for the coming years.  The show, which varies dramatically from night to night, is an interesting departure from his recent scripted performances but has injected Thomas with enthusiasm for unpredictability.  Ahead of the run at Leicester Square Theatre until 28th October, he spoke to Ian Cater about stand-up comedy’s limitations, getting laughed at Up North and the price of Freddo Frog chocolate bars. 

If we learnt anything from last year, it’s that making predictions is a mug’s game.  Unless you get them right of course, which – despite the off-target examples of Michael Fish, Kaiser Chiefs and Dick Advocaat – people do manage from time to time.  And that’s what Mark Thomas is asking his audiences to attempt in A Show That Gambles on the Future.

Each night, Thomas asks attendees to write down some forecasts, the best of which he riffs on at length and opens up to general discussion.  At the end of the show, the audience gets to choose which prediction Thomas should bet on at the bookies, with all winnings going to charity.

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Category: Comedy
MARK THOMAS 1 - Please credit Tracey Moberley

Mark Thomas: “You’re constantly climbing a ladder, but the last rung you always pull away from yourself”


Mark Thomas is performing his latest highly-acclaimed show – The Red Shed – at Battersea Arts Centre until Saturday night.  It is an incredible piece of work, perfectly blending comedy, theatre and journalism while provoking laughter, emotion and thought.  Ahead of his return to London, Ian Cater caught up with Thomas to discuss audience participation, lost sheep and David Walliams.

London audiences have four more chances to experience The Red Shed – a homage to the Wakefield Labour Club where Mark Thomas first ‘found his politics’ and became involved in the 1984 Miners’ Strike.  And, no matter what your political persuasion, I can hardly recommend this amazing production enough.

It’s neither pure comedy, nor pure theatre.  Instead, The Red Shed is a masterful lesson in storytelling – an art in which Thomas undoubtedly specialises.

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Category: Comedy