Sunday 26th September

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Wil Greenway: Either Side of Everything review

Rating:

Ian Cater, Chief Features Writer & Reviewer

Wil Greenway delivers more warm and engaging storytelling, but loses something in this style experiment. 

Over the past few years, a Wil Greenway show has virtually guaranteed a charming, poetic experience filled with passion and laughter.  This year’s iteration, Either Side of Everything, is ultimately no exception but something seems to have been lost in the Australian’s experiment towards comedy and multiple storylines.

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Category: Comedy
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Wil Greenway: Either Side of Everything, Edinburgh preview

In the first of our Edinburgh Fringe previews, Ian Cater speaks to Wil Greenway – one of the most soul-stirring, poetic storytellers around – about his move towards comedy in new show Either Side of Everything.

The first time I saw Wil Greenway walk onstage, he looked very much your archetypal Australian hipster: bright shirted, bare footed, big of beard, all perched on a strong frame growing down from a top-knot.  He was only lacking a surfboard and a can of Fosters to complete the picture.

But book split from cover the second he opened his mouth and unravelled a softly spoken story full of heart, humour and small-town heroism.  The fluid in his eyes ebbed and flowed to the rhythm of his words: full of mischief during each well-worked metaphor; packed with pain when retreating to gather himself during folksy musical interludes from singer Kathryn Langshaw and guitarist Will Galloway.

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Category: Comedy

What’s On London Comedy Awards 2017

Ian Cater, Chief Features Writer

Now the New Year bells have finished chiming, it’s time to announce our Comedy Awards for the year just gone and news of where you can catch these fantastic acts in the months ahead.

There’s no shortage of talent around, so whittling down the vast forest of performers to a handful for each category has been tricky and some excellent comics have had to be overlooked.  On the plus side, that competition for bums on seats is driving artists onto new heights, constantly pushing boundaries of subject matter, delivery style and occasionally taste.

This is superb news for Londoners because, despite underlying political and economic uncertainty, its comedy scene is thriving.  While leading lights like Soho Theatre, Leicester Square Theatre and The Comedy Store will always drawn top acts and expectant audiences, it’s been fantastic to see less established venues such as 2Northdown and The Bill Murray host some of the biggest names in comedy this year, while monthly events like Suspiciously Cheap Comedy, Knock2bag and Rye Laughs regularly put on the best mixed bills in the country.

So take our advice and fill your 2018 with grins, chuckles and snorts by heading along to those venues or catching our top picks in stand-up, character, storytelling, musical, sketch and improvised comedy for 2017.

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Category: Comedy
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Wil Greenway: These Trees the Autumn Leaves Alone review

Rating:

Ian Cater, Chief Features Writer

Greenway takes his audience on another visceral journey with his latest lyrical tale of courage and memory.

In our Edinburgh Fringe preview, we predicted that Wil Greenway would soon rise to the top of the comedy storytellers.  After the Australian’s performances this month, he’s surely close to achieving this goal and gaining the recognition he deserves.  As with previous show The Way The City Ate The Stars, These Trees the Autumn Leaves Alone tells an atmospheric and entertaining story set in South-East Australia.  Its facts may be less dramatic but, as Greenway’s fans have come to expect, the destination is less important than the journey.

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Category: Comedy
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What’s On London’s Edinburgh Fringe Preview

Ian Cater, Chief Features Writer

With the Edinburgh Festival Fringe – the world’s largest arts event – officially starting today, we decided to follow the Highland herd and put together a list of the comedy shows we’re most looking forward to seeing this month and then subsequently in London.

Given the vast number of acts performing over the next month in this seventieth year of the Fringe, we can’t pretend our list is completely comprehensive, and apologise to the many worthy artists unmentioned below.  It reiterates just how spoilt for choice fans of live comedy currently are.  But we guarantee this: if you choose to see our suggested stand-up, character, storytelling, musical and sketch comedians, you won’t go far wrong.

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Category: Comedy
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Wil Greenway: The Way The City Ate The Stars review

Rating:

Ian Cater, Chief Features Writer

Greenway elevates the art of storytelling with this lyrical, moving, funny and compassionate tale of love and tragedy in South-East Australia.

Eleven months ago, I reviewed Sarah Kendall’s show, Shaken.  In hindsight, and having listened to more of her work since on Radio 4, she perhaps deserved more than three stars.  However, I stand by the assertion that for storytelling to work effectively live, “it needs a higher laughter-count, or a more vulnerable and relatable narrator.  Kendall’s very talented, but projects an Antipodean toughness from the moment she bounds onstage talking forcefully about dick drawings and bowel movements.  As a result, she finds it hard to generate much sympathy from an admittedly difficult crowd, necessary before embarking on a story that portrays her younger self so unfavourably.”

I restate this to contrast Kendall’s countryman, Wil Greenway, who last night delivered an equally challenging story at Soho Theatre with a different outcome.  When he entered the stage after a short introduction from his folksy, melodious backing musicians (Will Galloway and Kathryn Langshaw), I was ready for a similarly forthright, Kendall-esque approach, given the Melburnian’s solid frame, thick auburn beard and topknot.  But it quickly became clear that Greenway’s a gentler type of performer and someone who could end up going very far.

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Category: Comedy